By Jan Johnson-Smith

ISBN-10: 0819567388

ISBN-13: 9780819567383

ISBN-10: 1417583649

ISBN-13: 9781417583645

ISBN-10: 1860648827

ISBN-13: 9781860648823

From "The subsequent new release" and "The X-Files", to "Farscape" and "Enterprise", sci-fi tv sequence within the US have increased because the Nineteen Eighties. Jan Johnson-Smith exhibits how, in accordance with nationwide political upheavals, this vivid and difficult style set approximately increasing the parable of the Western frontier into deep area. She appears on the "sense of ask yourself" or chic that infuses a lot Frontier artwork and technological know-how fiction, and lines a potential old precedent to the style within the very good and heroic trips of the Classical epic. She discusses narrative kinds and their impacts, from the overarching narrative of "Babylon five" to the episodic formulation of "The Outer Limits", considers how experimental sequence comparable to "Twin Peaks" problem traditional constructions, and the way and why sci-fi tv has followed new applied sciences. She additionally explores the juxtaposition of arcane language and technological jargon in glossy American sci-fi tv, revealing the terribly alien, but interestingly wide-spread area it creates.

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Extra info for American Science Fiction TV: "Star Trek", "Stargate" and Beyond (Popular TV Genres)

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Within the mise-en-scène of American art there is a gradual desertion of realism for idealism and mythicism, best illustrated by artists emerging from the Hudson River School – the likes of Thomas Cole and Frederick Church. Post-Civil War American landscape painters (notably those of the Hudson River School) were responsible for ‘a body of work which lent to the American terrain an almost mystical power. ’14 By the 1900s, a growing cult was echoing the murmurings of Thoreau, Emerson and Crèvecoeur, believing the frontier and the pioneer past to be: responsible for unique and desirable national characteristics.

M E T A L I N G U I S T I C S A N D N E O L O G I S M S Just as attitudes differ regarding what comprises sf, there are a variety of approaches to it – satire in Brazil (1985), parody in Galaxy Quest (1999) or romance in Somewhere in Time (1980). 67 Essentially, these approaches are concerned with creation and exploration – they make the unknown known and the known unrecognisable, and achieve this by sending us on magical, mythical and technological journeys of human (self-)discovery. The corollary of these journeys is that various representations of ritual and convention from our own world can be seen through new eyes.

Nevertheless, there are particular comparisons to be made here regarding sf. Just as many sf novels draw from mythology for their foundation, several major sf television series also make significant use of ancient mythology. Babylon 5 borrows from Babylonian legends of chaos and order and from the remarkable alliances forged by Gilgamesh; Stargate SG-1 predominantly uses Egyptian/Norse legends (although its seventh season shifts slightly, concluding as the fabled Atlantis rises). Along with Farscape and Star Trek: The Next Generation (1987–1994), these series all refer at some stage to the ‘Ancients’ or the ‘First Ones’,83 while Earth: Final Conflict introduces us to the Atavus, a pre-human earth race.

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American Science Fiction TV: "Star Trek", "Stargate" and Beyond (Popular TV Genres) by Jan Johnson-Smith

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