By Andy Croft

ISBN-10: 0585426732

ISBN-13: 9780585426730

ISBN-10: 0745312047

ISBN-13: 9780745312040

ISBN-10: 0745312098

ISBN-13: 9780745312095

For over 70 years, the Communist celebration of significant Britain had a rare effect on British cultural existence, workout a power relatively out of share to its measurement or political effect. Many paintings varieties have been revitalized or profoundly replaced, new ones have been confirmed or formed via teams and members linked to the occasion. They introduced a dynamism and imaginative and prescient to cultural creation - even if in track, movie, theatre or literature - that helped lay the rules of a brand new radical tradition, a revolutionary avant garde during which the fight used to be to supply a tradition for and of the folks, within the entrance line of the conflict of rules. This quantity recounts the histories of the artists, poets and cultural visionaries of the interval, putting them in a broader old context and supplying an advent to British social and cultural heritage within the twentieth century.

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Additional info for A Weapon In The Struggle: The Cultural History of the British Communist Party

Example text

Nor did he walk out of the Communist Party in the aftermath of 1956 when other intellectuals and writers departed en masse. Interestingly, he found himself joined in the Party’s thinned out ranks, for the last year of his life, by his compatriot Hugh MacDiarmid, who re-entered in a spirit of defiance and contrariety at a moment when it could not have been more unfashionable. 35 Notes 1 James Barke, ‘Caledonian Comedy’ (c. 1935), typescript of unpublished novel in the James Barke papers (italicisation of the book titles by me).

151. ‘New Challenge’ in fact appeared as Challenge. 7 E. H. Gombrich and E. Kriss, Caricature, (Harmondsworth: Penguin, 1940), p. l5. 8 Arnold Rattenbury, catalogue essay, ex. cat. James Boswell: Artist Against Fascism, Manchester City Art Gallery, 1986, unpaginated. 9 Information supplied by Paul Hogarth. ), 5 on Revolutionary Art, (London: Lawrence & Wishart, 1936), which has essays from Herbert Read, F. D. Klingender, Eric Gill, A. L. Lloyd and Alick West. These originated in talks organised by the AIA.

2. The spreading of propaganda by means of exhibitions, the press, lectures and meetings. 3. The maintaining of contacts with similar groups already existing in 16 countries. The statement then goes on to record in more detail how this programme was being currently put into practice: We have instituted fortnightly discussions on Communism and Art from all angles. We are working closely with the Marx Library and the Workers’ School, we have taken part in strikes and elections, producing mimeographed newspapers on the spot, backed up by cartoons and posters.

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